art & quot criticism custom essay

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Guide to Describing Art" (in this folder on Angel) and make sure you have also read "The Intelligent Eye" ny Perkins (required textbook). Then visit the Second Floor of Evans Library and find the painting "Birds of Paradise" by Frits van Eeden.

The purpose of this paper is for you to practice visual critical thinking. Before you can discuss or understand an art work, you need to be able to describe it. In this assignment you will apply your knowledge of the formal elements (e.g. line, light, color, form, space, texture, pattern, & time) and the principles of design (Weight & Balance, Empahsis & Focal Point, Scale & Proportion, Repetition & Rhythm, Unity & Variety, and Economy & Ornamentation) in order to produce a detailed description of this painting.

Paper Length: 5-7 pages. Warning: if you can’t write 5–7 pages of description, you’re just not looking closely enough or writing in enough detail. Do not fill with fluff or biographical material from the Web. Trying reading the directions again and make sure you’ve address all the points. If you need to write more than 5-7 pages, feel free to write as much as you think the object warrants, but please don’t rush this assignment. You may need to make two or more trips to see this painting. Plan on spending at least 30-60 minutes with this painting while taking copious notes. Please avoid touching the painting..s.

You will submit your paper into the turnitin.com drop box in this Angel folder.
Guide to the Descriptive Visual Analyses of Works of Art
Lars R. Jones, Ph.D.
Part I (Objective Description & Analysis)
1) Start by stating the basics:
— What is the title of the work? Do you understand the title? Does the title describe the subject or object? Is the title,
perhaps, a pun or a word or phrase with multiple levels of meaning? You may wish to look up the words or the phrases just to be sure you’re not missing something.
— What materials and media were used? What factors (if any) might have influenced the choice of materials and media? How does the choice of materials and media help (or hinder) the overall effect of the work? What are the limitations of the medium? Has the artist made any attempt to breach the limitations of the medium?
— Who made it? When was it made?
— Was the work originally intended to be located somewhere specific (or was it made for someone specific)? Where is the work now and how did it come to be there? If known, you should start by describing the art work’s present context (e.g. a museum or church): the external lighting, framing, etc.
— Why was it made (for what reason or function)?
While not all of this information is known, you should make an effort to find out whatever you can.
2) Now begin your descriptive visual analysis by moving from general observations to specific observations. First, describe the work’s general style & specific content.
— Does the work fall into any general historical and/or stylistic category (e.g. cubism, expressionism)?
— Describe the genre of the work if possible. Is it history, still life, portraiture, landscape, animal, non-objective? — Is the subject or object of the work representational, abstract or non-objective?
— If representational, what has the artist re-presented? Is it successful?
— If it is abstract, to what degree does the artist abstract the subject/object? Describe the type/s of abstraction. — Can the subject or object be read in more than one way?
3) Now consider each of the “formal elements”, moving from the general to the specific:  Texture
o If possible, look closer at the surface treatment: Describe the actual and visual texture. Does the work deny or call attention to the materiality of its surface? How?
 Line
o How important is line in this work? Are the lines organized? If so, how?
o Characterize the lines of the work: are the classical / analytic or are the romantic / expressive? Why?
o Do the lines describe forms, shapes or both?
o Describe the qualities of at least the dominant types of line: are the lines primarily rectilinear or curvilinear?
Are the lines, thick or thin? Dark or light? Solid or broken? Heavy or soft? Can you see the brush strokes? o How do the qualities of line related to the subject or content of the work? How do the lines influence your
experience of the work?  Space & Perspective
o Are any perspective techniques used to create an illusion of internal or external space? Are there any distinct registers or planes that function to organize space (e.g. top to bottom and front to back)? How does this organization (or lack) of space affect the viewing experience?
o Do the figures appear to violate the frame or the surface? Has the artist made an attempt to create an illusion that suggests this is not just a two-dimensional object? If so, describe how.
 Form, Shape & Mass
o Is there any obvious orientation or symmetrical arrangement of figures or elements and motifs? If it is a
figural work, how many figures do you see (are they human and/or animal)? Describe any figure/s (e.g. Is/are the figures “recumbent”–e.g. lying on the back—or standing? Explain how the figure/s is/are dressed and arranged/posed? What is/are the figure/s doing (are they at rest or “in motion”)? Are the figures holding anything? If so, what?
o Are the dominant shapes, forms, and elements geometrical, biomorphic, or non-geometrical? Are the shapes and elements found objects, are they imitations of natural objects or created by the artist’s imagination?
o Describe the background. Does the background influence the viewing experience? What is the relationship between (back)ground and the figures, elements, and/or motifs? Is the relationship between figure and ground made clear, ambiguous, or non-existent?
 Light
o Is the lighting naturalistic or idealistic? Can you identify any particular lighting or modeling techniques (e.g. chiaroscuro, tenebrism)? Consider the relationship of the highlight and shadow: How do these characteristics affect the viewing experience?
 Color
o What type of color scheme is used (analogous, complementary, split-complement, triadic, tetradic?)
o Describe the palette (range of hues) and saturation / intensity.
o Does the choice of palette or color have any relationship with the subject or content of the work? How do
these color characteristics affect the viewing experience?  Time & Motion
o Does the work attempt to create any illusion of narrative or time? If so, where and how? Is there a sense of timelessness?
o Do the forms, elements or figures seem to move? Do the lines, forms, lighting, colors, lead the eye anywhere? o What formal techniques are used to suggest (or deny) time and motion?
4) Now evaluate the design and the “principles of design”, again moving from the general to the specific  Emphasis / Focal Point
o Does the work have a single focal point, multiple focal points, or is it afocal? Is the subject emphasized – or something else?
o Is there any relationship between perspective techniques and the emphasis and/or focal point?
o How does the presence or absence of emphasis / focal point/s influence your experience of the work?  Balance & Weight
o Consider the relation of the parts to the whole and to one another; describe the balance (or lack of) and any form of symmetry (or asymmetry), and mechanisms by which the parts may or may not be brought into a relationship with one another (e.g. lighting, palette or color scheme, rhythm of shapes, lines, colors, etc).
o Does the balance (or lack of balance) have a relationship with the subject or object of the work? If so, what?
o How does the balance (or lack of balance) influence your experience of the work?  Scale & Proportion
o Describe the general scale of the subject / content. If the work is representational or abstract, what is the relative scale or proportions of the represented subject to its natural referent? If there are multiple figures or elements, are they all done at the same scale?
o Do any differences in scale or proportion function to imply or define space?
o How do scale and proportion influence your experience of the work?  Repetition & Rhythm
o How are formal elements and motifs organized? Is the arrangement random or ordered?
o Do the forms, elements, and/or motifs repeat or appear only once?
o Is there a repetition of the same form from different points of view? In different scales? In different locations? o How does repetition and rhythm influence your experience of the work? Is there a sense of rhythm to the
repetition? Or does the arrangement of figures, elements, and motifs create a sense of boredom?  Harmony, Unity & Variety
o Consider how the artist has employed the concepts of unity and variety during the design process to create a sense of harmony within the work. Was it successful? Why or why not?
 Economy & Ornamentation
o Consider how the artist has employed simplicity of expressive (e.g. the use of few elements or motifs) or to
what degree he/she has opted for superfluity, and excessive ornamentation
Part II (Subjective Description & Analysis)
1) Working from the general to the specific, consider your subjective reaction to the work as a whole and to its specific subject, elements and motifs. The artist has made many choices when creating this work, can you provide any insight as to why he/she may have made those particular choices? For example, might wish to discuss the title or subject matter constrained the artist’s choices. How does the artwork make you feel? Can you point to anything specifically that makes you feel that way? What does the work seem to be saying to you? Why? Try to justify your reaction. The objective here is to give concrete form to your abstract ideas and emotional reactions.
2) While you are not required to “interpret” the work, you should feel free to offer your interpretations based on the visual evidence. You may wish to consult your textbook and on-line resources to support your interpretation of symbolic elements or motifs.
C

>>>>> An Investigation into the Impact of Michelin Stars Ranking Systems on Hospitality Establishments

Please see the attached project outline for the general instructions of the paper. The format should be APA style, following roughly the same headings as in the also attached research proposal. Please make sure that sources used are accessible via JSTOR preferably or free on the internet. The references already used in the proposal are also helpful. PLease note that the paper cannot be uploaded into any plagiarism check software since this will have to be done through a special student account.
If you have any questions please let me know.

It would be great if the writer could present me with a rough outline on how he/she wishes to proceed and organize the paper before getting started.

>>>>bill for Child Abuse For federal and State of California

Must locate bill,policy, or bill for Child Abuse For federal and State of California. Statement of specific proposition, bill, or policy analyzed.Describe the concern: What is the concern? What group of people is experiencing the concern? What are the defining characteristics (descriptive and statistical) of the group? Describe the ecological context of the concern and the political, social, and economic climate that impacts the response to the concern. (Include in your description reflections from at least (2) recent news article.) How do the people who experience the concern view the concern? The answer to this question will require some exploration to ensure the voice of the people affected by the concern is reflected in response. What policy area addresses this concern? What has been done historically at the federal,state,local, and or agency level to address the concern? What norms and values are reflected in the federal,state,local,and or/agency level response to the concern? What has been successful in addressing the concern? What has not been successful? Identification of the specific proposition,bill,or policy that affects the concern: Write a concise statement of the proposition, bill or policy that is the focus of the group policy practice. List refereances. APA double spaced Format will be uploaded and a couple useful websites.

>>>>False perceptions

The first six assignments required you to read and view literature and film that reveal the power of false perceptions. For your first major grade, write a 1,000-word essay in which you discuss the power of false perceptions. You may use outside sources; however, you must document them using the MLA style. You may write about one of the pieces of literature we have studied, but only one.

part 2)Obtain a copy of the movie, The Truman Show. View it, take notes, and in approximately 250-words state a theme and tell how it’s developed in the movie.no format needed for the one

>>>>Peterson Book Review

PRACTICAL BOOK REVIEW

A Practical Book Review is a way of responding to readings, lectures, and life experiences that requires the learner to interact with new ideas and techniques on several levels. Your PBR can be accomplished by thinking of four words: Summarize, Respond, Reflect, and Act. Use the following paragraphs and headings to complete your review.
SUMMARIZE!
Give the APA formatted reference of the book below the heading SUMMARIZE!. Summarize what you have read by boiling down the book into 500 tight words. Prove that you comprehend the material by writing a no-nonsense summary. SUMMARIZE! is not a commentary or a rehearsing of Petersen’s Table of Contents; rather, it is a gut-level, insightful “précis” of the longer, more elaborate book. It should provide a clear overview of the material. Keep this section to 500 words.

RESPOND!
What parts of this book are about you? You will remember almost nothing you have read unless you make this critical, personal connection. Be transparent and get vulnerable with your answer! Relate a personal life episode that Petersen’s text triggered in your memory. What video memory began to roll? Relate your story in first person, describing action; quote exact words you remember hearing or saying and/or the non-verbals on display in the memory. What was going on with your internal conversation during the story? In the teaching style of Jesus, this is a do-it-yourself parable, case study, confession. Conversely, this is your chance to tell your story and make new ideas your own through a practical learning activity designed for you! Keep this section to 300 words.

REFLECT!
What new questions or “ah ha” moments popped up for you after reading the book and listening to Dr. Petersen’s comments? In the margins of the book, journal and become a meaning-making specialist. Clarify statements made with your situation/context in mind. Use questions like: “What bothers me about this book?” or use statements like: “I am reticent to accept … because …” or “This technique will help me to….” Also, what insight(s), technique(s), word pictures(s), and tool(s) are you seeing for the first time? Keep this section to 300 words.

ACT!
So what are you going to DO about it anyway? What actions or changes are you going to make in your life as a result of this information? What techniques do you need to incorporate to improve your relational style? What tools (questions, word pictures, techniques, etc.) will you use to help a friend or a counselee to get unstuck and move towards meaningful change/solution? Where will you place these tools within the structure of your counseling scenario? Be specific as to what techniques you will use from the Petersen text. Keep this section to 500 words.

PLEASE NOTE:
Your grade on this Review depends on the manner in which you address each of these four dimensions in graduate level fashion and according to the appropriate research writing guidelines of this class. A Table of Contents or Reference page is not needed since the design of a PBR provides the necessary information. However, a Cover Sheet or Title Page is needed. You must use the headings provided as your main headings and any sub-headers deemed necessary.

THIS IS THE TEXT/BOOK THE REVIEW MUST BE ABOUT AND COVER!
Petersen, J. C. (2007). Why don’t we listen better? Communicating and connecting in relationships. Tigard, OR: Petersen Publications. ISBN: 0-9791559-0-8.

>>>>The portrayal of Mina and Lucy. How do they represent Stoker’s view of women (and, supposedly, the readership in 1897

As the Count leaned over me and his hands touched me… a horrible feeling of nausea came over me, which, do what I would, I could not conceal." – Bram Stoker, Dracula
Paper 1: Dracula: Bloodbath and Beyond

Assignment/Purpose: For your first paper assignment, I would like you to explore a theme or character within Bram Stoker’s Dracula. I want you to examine your own perspective, without the help of secondary sources or other research, but please use the online class discussions to help you frame your argument. Ultimately, you will develop a thesis statement and support your argument using quotes from the text itself. Your writing for this paper should be thesis-driven, supported by evidence from the text, and organized clearly and logically.

In formulating your essay, you should start with a question. Try to locate as many passages within the text that might help you answer that question. In examining these passages together, try to construct an answer to your question. Your essay will then include a discussion of how the passages you’ve discovered demonstrate the truth of your conclusions.

Try to avoid some common pitfalls for this paper:

1) The assignment is not asking for you to summarize the novel only—assume an audience who has read the novel as well. They will want to learn something new from you about the novel. You may have to summarize certain scenes or actions from the novel, but the paper should not be a chapter by chapter summary of the entire novel.

2) You will be incorporating quotes from the novel, but only do so with a follow-up discussion and analysis—each quote you use must be supported by your own commentary that demonstrates why and how the quote illustrates your point.

3) AVOID DROPPED QUOTES! Always introduce and integrate quotes—they should be connected to your prose, not floating in your paper.

4) In most cases, you should avoid a chronological discussion of the text—simply following the order of the events in the story does not show a larger synthesis of your ideas.

5) Introductions work best when they do not stray too far from the intended focus of your paper—resist “dawn of man” introductions that begin too broadly (like ‘in the history of vampires, . . .’).

6) Consider using the MEAL plan to help you organize your body paragraphs (see below).

The essay will include:

1) Two to three pages of text in correct MLA (Modern Language Association) style following the paper formatting guidelines for the class as well.

2) An interesting title. The title should help your readers find meaning in your writing. If the title is “Paper 1,” readers may have a difficult time getting a sense of the paper.

3) An effective attention-getter. The introduction serves also to entice your readers into your paper. Use different strategies to get their attention.

4) A thesis statement or controlling idea. Your paper should support a main idea about the novel with textual examples from the novel. This main idea is the basis of your analysis. This means that your paper will have an argumentative angle that the paper will have to support.

5) Quotes, references, examples from the novel. Since your paper is an analysis of the novel, it should include direct quotes, summaries, and/or paraphrases from it. All should be referenced correctly in MLA style. Refer to Diana Hacker’s site for correct formatting for in-text citation:
http://bcs.bedfordstmartins.com/resdoc5e/RES5e_ch08_s1-0001.html

6) A clear organization. The main points of your paper should connect with each other in a way that supports the main idea. Remember that you should use transitional words, phrases, and/or paragraphs to show a clear progression of thought.

7) An effective conclusion. The paper should end by wrapping up ideas without necessarily summarizing the content.

8) A works cited page. This assignment does not require any outside research; your main source of support is the novel, which should be cited and referred to within the body of the paper (with in-text citations) and also listed in the works cited page.

The works cited page will include an entry that looks similar to this: Stoker, Bram. Dracula. 1897. New York: W. W. Norton & Company, Inc., 1997.

Genre: This paper will take the form of a literary analysis. Additionally, the paper should follow conventions of college-level writing.

Topics to Consider:
We’ll do some brainstorming and prewriting activities, but you may want to consider some of the following questions to get started:

• In what ways is the novel a warning about the threat of the modern world? (Consider the threat of the “new woman,” the use of technology/science/superstition, etc.)

• What are the symbolic implications of blood in the novel?

• What role does sexuality play in the novel?

• Consider the portrayal of Mina and Lucy. How do they represent Stoker’s view of women (and, supposedly, the readership in 1897)?

• What’s the role of religion/superstition in the novel? How is Christianity used? What is Stoker’s view of these beliefs?

• Consider the way the story is told (through letters, records, transcripts, documents, clippings, etc.). How does this affect the story?

• To what extent is the novel about madness/addiction/loss of self? The above topics are just suggestions. You are free to write on a topic of your choosing, though you may want to run your idea by me so I can help you focus it. You might even want to write an extended character or scene analysis.

Remember: you are making an argument and supporting it with support from the text.

Due Dates: Any changes in due dates will be announced in class and posted on our Blackboard site.

• Rough Draft (50 pts.) Due: by 11:59 PM, Saturday, February 18. Please Note: Your rough draft is your first attempt with the paper. We’ll conduct peer writing group

(PWG) work with your drafts so your peers can offer you feedback so you can revise the draft before submitting the final draft; your instructor will provide feedback as well.
Therefore, before you submit your rough draft anywhere, your readers will need to know what your concerns are with the draft.
Before you submit your rough draft anywhere, on the last page of your draft, you’ll need to insert a hort paragraph explaining your concerns with your paper (5 points will be deducted from the rough draft grade if this memo is missing).
This step is crucial! Without it, neither your peers nor your instructor will be able to tailor our feedback to your needs.
What would you like your peers and me to help you with?
Be specific and avoid broad suggestions like “help me make it sound better” or “help me with my grammar.” Be as helpful as you can for your peers and me so we know what you really want out of the feedback you’ll receive. After you’ve included your memo in your draft, save your draft in rich text format as “YourLastNamePaper1RD.”
ComPaper details:
English 1302
As the Count leaned over me and his hands touched me… a horrible feeling of nausea came over me, which, do what I would, I could not conceal." – Bram Stoker, Dracula
Paper 1: Dracula: Bloodbath and Beyond

Assignment/Purpose: For your first paper assignment, I would like you to explore a theme or character within Bram Stoker’s Dracula. I want you to examine your own perspective, without the help of secondary sources or other research, but please use the online class discussions to help you frame your argument. Ultimately, you will develop a thesis statement and support your argument using quotes from the text itself. Your writing for this paper should be thesis-driven, supported by evidence from the text, and organized clearly and logically.

In formulating your essay, you should start with a question. Try to locate as many passages within the text that might help you answer that question. In examining these passages together, try to construct an answer to your question. Your essay will then include a discussion of how the passages you’ve discovered demonstrate the truth of your conclusions.

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